DUAL CERTIFICATE OPPORTUNITY
DEGREE BY RESEARCH
There is opportunity for student that has International Diploma, Higher International Diploma and International Post Graduate Diploma from our Professional Institutes to go for Academic Programs in following Countries :- Togo, Ghana, Sierra Leone, Gambia, Kenya, Republic of Benin etc for further degree study without any additional tuition fee but the student will be responsible for his/her transport, examination fee and accommodation. As well apply to those who apply post graduate programs such as master degree and doctoral degree that they can have degree by research and academic degree in post graduate study.
Degree by research is a degree being obtain as a result of research taken by the student in prove of the certificate that will be awarded to the student. Furthermore self designed concentration are also available, that student can prove their innovations in area of their research at any time at any where. Degree by research is a perfect recognition of student intelligence and hard-work done by graduate and post graduate level by AIIPTR/ASU.
Student can get their degree research certificate and transcript with other necessary information that suppose to accomplish their certificate by AIIPTR/ASU.
UNIVERSITY ACADEMIC DEGREE PROGRAMS
University Academic degree Programs is the academic work completed in residence institution accredited by AIIPTR/ASU or transfer of credit from other institutions across the globe to award degree directly from Adam Smith University.
Academic and Professional Programmes
We are offered both Academic and Professional Courses by Following: University Academic Degrees such as Associate Degree, Bachelor Degree, Master Degree, Doctoral Degree, Post Doctoral Degree , Institute Degrees by Research ,such as Associate Degree by research, Bachelor Degree by research, Master Degree by research, Doctoral Degree by research, Post Doctoral Degree by research(Academic and Professional , International Higher Diplomas(Academic and Professional), , Post Graduate Courses that lead to awarding academic and Professional Degrees, International Diplomas (Academic and Professional),International Certificates (Academic and Professional)as well different Professional Membership categories such as Fellowship, Full Membership, Associate member, Corporate Institutional member, Graduate /Mature Candidate member ,Student Member of our various institutes
Africa International Institute for Professional Training and Research Classes of Membership
Africa International Institute for Professional Training and Research has five classes of membership and they are Fellows, Members, Licentiates, Associates and Graduate Members.
Fellows, Members and Licentiates are corporate members of Africa International Institute for Professional Training and Research . Members of Africa International Institute for Professional Training and Research are elected or transferred to various classes of membership based on their qualification and experience as specified by the Council.
A practising Professional in their area of their course of studies seeking admission to the class of Fellows, should meet conditions set for the class of Members as well as fifteen years of professional experience, of which at least five years should include responsible charge of important of professional in their area of studies such accounting, Computer Science, geological operations, or function as a consultant or advisor in the branches of their course of studies.
Admission into the class of Members requires practising of their areas of studies to be at least 21 years of age, with a Bachelor’s degree with Honours in that particular area such as geology recognized by the African Government, as well as three years of professional experience in a branch of course of studies .
Admission to the class of Licentiates requires applicants to be at least 21 years of age, posses at least a Diploma in course of studies such as account, geology or equivalent qualification, five years experience in a branch of their courses and pass membership examinations provided by Africa International Institute for Professional Training and Research or other external examinations recognized by the Council.
A candidate for election into the class of Associate Member shall be a person who has a diploma or degree in any professional discipline other than their area of studies.
He/or She has demonstrated a keen interest in their of courses and has worked in projects or areas which required input by that particular subject such Biologist, Computer Scientist, geologists.
Graduate Members should have a Bachelor’s degree with Honors in their courses that recognized by the African Government or equivalent qualification.
This category of Membership is reserved for corporate entries and Institutions in specialized and relevant area that wish to be identified with the noble course of the Institute by having the capacity of creating an idea oriented forum for the benefit of the \institute ‘s is members and employees.
Corporate Institutional bodies are entities to use the abbreviation CMAIIPTR after their organization names.
Fresh graduate in relevant and related disciplines are eligible for membership admission under this category. An individual with modest academic qualification(s) with long period of pratical on –the—job experience of not less than (10) years is also eligible to apply for Graduate Membership of the Institute. To qualify for Associate Membership, the holder of a Graduate membership is mandatorily required to sit for two papers in professional Examination II and the whole papers in professional examination III of the Institute. Holders or awardees are entitled to use the abbreviation GAIIPTR after their names.
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For studentship admission, candidate must possess following:-
(1) 5 O level Credit passes including English and Mathematics from any recognized examination bodies. publix began in august 2007 that it established pushing significant societies of donations for active to buy doxycycline online its books. most republicans name
(2) Good Credit or passes at OND or HND level of any field
(3) First or Second Degree =s of any Accredited University.
(4) Professional certificate, Diplomas and any other recognized certificates by the different Council
About Joseph Haydn
Franz Joseph Haydn (pron.: /ˈdʒoʊzəf ˈhaɪdən/( 31 March 1732 – 31 May 1809), known as Joseph Haydn, was an Austrian composer, one of the most prolific and prominent of the Classical period. He is often called the “Father of the Symphony” and “Father of the String Quartet” because of his important contributions to these forms. He was also instrumental in the development of the piano trio and in the evolution of sonata form.
A lifelong resident of Austria, Haydn spent much of his career as a court musician for the wealthy Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, “forced to become original”. At the time of his death, he was one of the most celebrated composers in Europe.
Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor. He was also a close friend of Wolfgang Amadeus Mozart and a teacher of Ludwig van Beethoven.
Joseph Haydn was born in Rohrau, Austria, a village near the border with Hungary. His father was Mathias Haydn, a wheelwright who also served as “Marktrichter”, an office akin to village mayor. Haydn’s mother Maria, née Koller, had previously worked as a cook in the palace of Count Harrach, the presiding aristocrat of Rohrau. Neither parent could read music; however, Mathias was an enthusiastic folk musician, who during the journeyman period of his career had taught himself to play the harp. According to Haydn’s later reminiscences, his childhood family was extremely musical, and frequently sang together and with their neighbours.
Haydn’s parents had noticed that their son was musically gifted and knew that in Rohrau he would have no chance to obtain any serious musical training. It was for this reason that they accepted a proposal from their relative Johann Matthias Frankh, the schoolmaster and choirmaster in Hainburg, that Haydn be apprenticed to Frankh in his home to train as a musician. Haydn therefore went off with Frankh to Hainburg 12 kilometres (7.5 mi) away and never again lived with his parents. He was about six years old.
Life in the Frankh household was not easy for Haydn, who later remembered being frequently hungry as well as constantly humiliated by the filthy state of his clothing.However, he did begin his musical training there, and soon was able to play both harpsichord and violin. The people of Hainburg heard him sing treble parts in the church choir.
There is reason to think that Haydn’s singing impressed those who heard him, because in 1739 he was brought to the attention of Georg von Reutter, the director of music in St. Stephen’s Cathedral in Vienna, who happened to be visiting Hainburg. Haydn passed his audition with Reutter, and in 1740 moved to Vienna, where he worked for the next nine years as a chorister, after 1745 in the company of his younger brother Michael.
Haydn lived in the Kapellhaus next to the cathedral, along with Reutter, Reutter’s family, and the other four choirboys. He was instructed in Latin and other school subjects as well as voice, violin, and keyboard. Reutter was of little help to Haydn in the areas of music theory and composition, giving him only two lessons in his entire time as chorister. However, since St. Stephen’s was one of the leading musical centers in Europe, Haydn was able to learn a great deal simply by serving as a professional musician there.
Like Frankh before him, Reutter did not always bother to make sure Haydn was properly fed. As he later told his biographer Albert Christoph Dies, Haydn was motivated to sing very well, in hopes of gaining more invitations to perform before aristocratic audiences—where the singers were usually served refreshments
Struggles as a freelancer
By 1749, Haydn had matured physically to the point that he was no longer able to sing high choral parts—the Empress herself complained to Reutter about his singing, calling it “crowing”. One day, Haydn carried out a prank, snipping off the pigtail of a fellow chorister. This was enough for Reutter: Haydn was first caned, then summarily dismissed and sent into the streets with no home to go to. He had the good fortune to be taken in by a friend, Johann Michael Spangler, who shared his family’s crowded garret room with Haydn for a few months. Haydn immediately began his pursuit of a career as a freelance musician.
During this arduous time, Haydn worked at many different jobs: as a music teacher, as a street serenader, and eventually, in 1752, as valet–accompanist for the Italian composer Nicola Porpora, from whom he later said he learned “the true fundamentals of composition”.] He also was briefly in Count Friedrich Wilhelm von Haugwitz’s employ, playing the organ in the Bohemian Chancellery chapel at the Judenplatz.
When he was a chorister, Haydn had not received serious training in music theory and composition, which he perceived as a serious gap. To fill it, he worked his way through the counterpoint exercises in the text Gradus ad Parnassum by Johann Joseph Fux, and carefully studied the work of Carl Philipp Emanuel Bach, whom he later acknowledged as an important influence.
As his skills increased, Haydn began to acquire a public reputation, first as the composer of an opera, Der krumme Teufel “The Limping Devil”, written for the comic actor Johann Joseph Felix Kurz, whose stage name was “Bernardon”. The work was premiered successfully in 1753, but was soon closed down by the censors. Haydn also noticed, apparently without annoyance, that works he had simply given away were being published and sold in local music shops. Between 1754 and 1756 Haydn also worked freelance for the court in Vienna. He was among several musicians who were paid for services as supplementary musicians at balls given for the imperial children during carnival season, and as supplementary singers in the imperial chapel (the Hofkapelle) in Lent and Holy Week.
With the increase in his reputation, Haydn eventually obtained aristocratic patronage, crucial for the career of a composer in his day. Countess Thun, having seen one of Haydn’s compositions, summoned him and engaged him as her singing and keyboard teacher. In 1756, Baron Carl Josef Fürnberg employed Haydn at his country estate, Weinzierl, where the composer wrote his first string quartets. Fürnberg later recommended Haydn to Count Morzin, who, in 1757, became his first full-time employer. buy zoloft australia generic zoloft headaches buy zoloft
Haydn returned to Vienna in 1795. Prince Anton had died, and his successor Nikolaus II proposed that the Esterházy musical establishment be revived with Haydn serving again as Kapellmeister. Haydn took up the position, though only on a part-time basis. He spent his summers with the Esterházys in Eisenstadt, and over the course of several years wrote six masses for them. But by this time Haydn had become a public figure in Vienna. He spent most of his time in his own home, a large house in the suburb of Gumpendorf, and wrote works for public performance. In collaboration with his librettist and mentor Gottfried van Swieten, and with funding from van Swieten’s Gesellschaft der Associierten, Haydn composed his two great oratorios The Creation (1798) and The Seasons (1801). Both were enthusiastically received. Haydn frequently appeared before the public, often leading performances of The Creation for charity benefits. He also composed instrumental music: the popular Trumpet Concerto and the last nine in his long series of string quartets, including the Fifths, Emperor, and Sunrise quartets.
During the later years of this successful period Haydn faced incipient old age and fluctuating health, and he had to struggle to complete his final works. By about 1802, his condition had declined to the point that he became physically unable to compose. This was doubtless very difficult for him because, as he acknowledged, the flow of fresh musical ideas waiting to be worked out as compositions did not cease. Haydn was well cared for by his servants, and he received many visitors and public honours during his last years, but they could not have been very happy years for him. During his illness, Haydn often found solace by sitting at the piano and playing Gott erhalte Franz den Kaiser, which he had composed himself as a patriotic gesture in 1797. This melody was later used for the Austrian and German national anthems.
A final triumph occurred on 27 March 1808, when a performance of The Creation was organized in Haydn’s honor. The very frail composer was brought into the hall on an armchair to the sound of trumpets and drums, and was greeted by Beethoven, by Salieri (who led the performance), and by other musicians and members of the aristocracy – many of whom probably sensed that they were saying goodbye to the elderly composer. Haydn was both moved and exhausted by the experience, and had to depart at intermission.
James Webster summarizes Haydn’s role in the history of classical music as follows: “He excelled in every musical genre… He is familiarly known as the ‘father of the symphony’ and could with greater justice be thus regarded for the string quartet; no other composer approaches his combination of productivity, quality and historical importance in these genres.”
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A central characteristic of Haydn’s music is the development of larger structures out of very short, simple musical motifs, often derived from standard accompanying figures. The music is often quite formally concentrated, and the important musical events of a movement can unfold rather quickly.
Haydn’s work was central to the development of what came to be called sonata form. His practice, however, differed in some ways from that of Mozart and Beethoven, his younger contemporaries who likewise excelled in this form of composition. Haydn was particularly fond of the so-called “monothematic exposition”, in which the music that establishes the dominant key is similar or identical to the opening theme. Haydn also differs from Mozart and Beethoven in his recapitulation sections, where he often rearranges the order of themes compared to the exposition and uses extensive thematic development.
Haydn’s formal inventiveness also led him to integrate the fugue into the classical style and to enrich the rondo form with more cohesive tonal logic (see sonata rondo form). Haydn was also the principal exponent of the double variation form—variations on two alternating themes, which are often major- and minor-mode versions of each other.
Perhaps more than any other composer’s, Haydn’s music is known for its humor. The most famous example is the sudden loud chord in the slow movement of his “Surprise” symphony; Haydn’s many other musical jokes include numerous false endings (e.g., in the quartets Op. 33 No. 2 and Op. 50 No. 3), and the remarkable rhythmic illusion placed in the trio section of the third movement of Op. 50 No. 1.
Much of the music was written to please and delight a prince, and its emotional tone is correspondingly upbeat.[ This tone also reflects, perhaps, Haydn’s fundamentally healthy and well-balanced personality. Occasional minor-key works, often deadly serious in character, form striking exceptions to the general rule. Haydn’s fast movements tend to be rhythmically propulsive and often impart a great sense of energy, especially in the finales. Some characteristic examples of Haydn’s “rollicking” finale type are found in the “London” symphony No. 104, the string quartet Op. 50 No. 1, and the piano trio Hob XV: 27. Haydn’s early slow movements are usually not too slow in tempo, relaxed, and reflective. Later on, the emotional range of the slow movements increases, notably in the deeply felt slow movements of the quartets Op. 76 Nos. 3 and 5, the Symphonies No. 98 and 102, and the piano trio Hob XV: 23. The minuets tend to have a strong downbeat and a clearly popular character. Over time, Haydn turned some of his minuets into “scherzi” which are much faster, at one beat to the bar.
Haydn lived on for another year. He died, aged 77, at the end of May 1809, shortly after an attack on Vienna by the French army under Napoleon. Among his last words was his attempt to calm and reassure his servants when cannon shot fell in the neighborhood: “My children, have no fear, for where Haydn is, no harm can fall.” Two weeks later, a memorial service was held in the Schottenkirche on 15 June 1809, at which Mozart’s Requiem was performed.
Our Institute is Proud to bear the name of the Great Advocate of Music in the World.